Comments

Post a Comment

Popular posts from this blog

The Maltese falcon

Image
Introduction The Maltese Falcon (1941) is one of the most popular and best classic detective mysteries ever made, and many film historians consider it the first in the dark film noir genre in Hollywood. It leaves the audience with a distinctly down-beat conclusion and bitter taste. The low-budget film reflects the remarkable directorial debut of John Huston (previously a screenwriter) who efficiently and skillfully composed and filmed this American classic for Warner Bros. studios, with great dialogue, deceitful characters, and menacing scenes. The precocious director Huston was very faithful to Dashiell Hammett's 1929 novel The Maltese Falcon, that had originally appeared as a five-part serialized story in a pulp fiction, detective story magazine publication named Black Mask. However, for an early preview audience, the film took a different, short-lived title, The Gent From Frisco. There were two major differences between the book and film: (1) Gutman was killed by Wilmer, and (
Read more

Breathless

Image
Theory Discussion French New Wave, which is also known as French Nouvelle Vague, can be considered as one of the most influential film movements that took place in the history of cinema. The ripples created by this cinematic movement can even be felt today. A group of critics, who wrote for a French film journal called Cahiers du Cinema, created the film movement. It began as a movement against the traditional path that French Cinema followed, which was more like literature. The French New Wave had the potential to bring a radical change to French cinema. Before 1950s & 1960s, French films were mainly literary adaptations i.e. fictional tales published in books and adapted to cinema. These films were usually filmed within the studio system or on big budget spectacles and international co-productions. The late 1950s and early 1960s saw the rise of a new generation of filmmakers around the world. In country after country, there emerged director born before World War II but gro
Read more

Bicycle Thieves

Introduction The neorealist movement began in Italy at the end of World War II as an urgent response to the political turmoil and desperate economic conditions afflicting the country. Directors such as Roberto Rossellini, Vittorio De Sica, and Luchino Visconti took up cameras to focus on lower-class characters and their concerns, using nonprofessional actors, outdoor shooting, (necessarily) very small budgets, and a realist aesthetic. The best-known examples remain De Sica’s Bicycle Thieves, a critical and popular phenomenon that opened the world’s eyes to this movement, and such key earlier works as Rossellini’s Open City, the first major neorealist production. Other classics of neorealism include De Sica’s Umberto D. and Visconti’s La terra trema, but the tendrils of the movement reach back to De Sica’s The Children Are Watching Us and forward to Rossellini’s The Flowers of St. Francis, as well as to some filmmakers who did their apprenticeships in this school, Michelangelo Antonio
Read more