Film studies

Introduction The Maltese Falcon (1941) is one of the most popular and best classic detective mysteries ever made, and many film historians consider it the first in the dark film noir genre in Hollywood. It leaves the audience with a distinctly down-beat conclusion and bitter taste. The low-budget film reflects the remarkable directorial debut of John Huston (previously a screenwriter) who efficiently and skillfully composed and filmed this American classic for Warner Bros. studios, with great dialogue, deceitful characters, and menacing scenes. The precocious director Huston was very faithful to Dashiell Hammett's 1929 novel The Maltese Falcon, that had originally appeared as a five-part serialized story in a pulp fiction, detective story magazine publication named Black Mask. However, for an early preview audience, the film took a different, short-lived title, The Gent From Frisco. There were two major differences between the book and film: (1) Gutman was killed by Wilmer, and (

Introduction The goal discussion of this blog is about the German Expression found in the film which called ‘Dark City’.  Besides that, the genres that we found in this film is science fiction. Dark City is a 1998 American-Australian neo-noir science fiction film directed by Alex Proyas. The screenplay was written by Proyas, Lem Dobbs and David S. Goyer. The film stars Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, and William Hurt. Sewell plays John Murdoch, an amnesiac man who finds himself suspected of murder. Murdoch attempts to discover his true identity and clear his name while on the run from the police and a mysterious group known only as the "Strangers". Synopsis John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the abili

The blog of this week we need to write the mental state of ‘In the Mood for Love’. I hope that I will know the theory of French Impressionist Cinema completely after I finished this blog. In the Mood for Love is a 2000 romantic Hong Kong film written, produced, and directed by Wong Kar-wai. It tells the story of a man (played by Tony Leung) and a woman (Maggie Cheung) whose spouses have an affair together and who slowly develop feelings for each other. In the Mood for Love premiered on 20 May 2000, at the 2000 Cannes Film Festival, where it was nominated for the Palme d'Or and Tony Leung was awarded Best Actor. It is frequently listed as one of the greatest films of the 2000s and one of the major works of Asian cinema. The movie forms the second part of an informal trilogy: The first part was Days of Being Wild (released in 1990) and the last part was 2046 (released in 2004). The French Impressionist filmmakers took their name from their painterly compatriots and applied it to a